Our Heritage, Our Stories: Performance

Jo Sykes, St Giles with St Mary's Pantomime Society

As part of Our Year – Wakefield District 2024, Our Heritage, Our Stories connects us to our past, preserving traditions, stories, and cultural legacies that shape our identities. During November we are celebrating Performance. Keep scrolling to read more about Jo Sykes (nee Thornton’s) experience with St Giles with St Mary’s Pantomime Society in Pontefract.

Amateur Theatre has an important place in the Wakefield District with many groups performing at a variety of venues. St Giles with St Mary’s Pantomime Theatre Society has been a constant in Pontefract since it was formed as the St Giles Players in 1949 by the then Vicar of St. Giles Church, the Reverend Jack Peel. Reverend Peel initiated the Society to bring people together, but also as a means of raising funds towards the church restoration. When Reverend Peel moved parish to Kingston, Jamaica, following the 1955 production of Red Riding Hood, he handed production responsibilities to Jack Bridgett, who had been involved since the first production. The two kept in touch by airmail. Rev Peel, enjoying life in his new parish, wrote of “warm weather, the devout congregation and a local pantomime he had attended in Kingston” – the programme for which is still in excellent condition in the Society archives.

The Society went on to merge with a group from St Mary’s Church becoming St Giles with St Mary’s Pantomime Theatre Society and has gone from strength to strength over the years, bringing live theatre to Pontefract and the surrounding district by way of the annual pantomime and occasional summer productions.

I first came across the Society as a young girl watching the annual pantomimes and desperately wanting to join. Living with my single mum and young sibling in Ferrybridge, the logistics of rehearsals were a big barrier, but as soon as I felt able to negotiate public transport, I knocked on the door of the only person in the village I knew who might be able to tell me how to become a member. In 1980, furnished with the address of the then secretary, Marjorie Rose, I wrote a letter asking to be allowed to join. The letter (which is somewhat cringeworthy) explained how I had recently won the solo acting cup in the Methodist Circuit Youth Festival at Micklegate Methodist Church and how much I wanted to be on stage. I received a response, which I still have, explaining that I would be added to the waiting list. In the spring of 1982 a space became available and I waited with bated breath for the first rehearsal at the Parish Rooms on Ropergate. When the day came, I was so excited even though I didn’t know anyone there.

I travelled by bus to Pontefract for the first rehearsal of Aladdin, which was to be performed in January 1983, and I have never looked back! I was starstruck by the principal performers and listened intently to the children’s choreographer and producer, who I was really keen to impress. When show week came around, I loved the atmosphere backstage and the excitement of going on stage. I loved the costumes and the songs and the many traditions, including collecting the ‘autographs’ of performers and those who were involved in the show. Initially I was a Sunbeam, then moved onto the Junior Dancers – which I really adored. I enjoyed everything around being involved in the Society. There were parties with discos and fish and chips and we’d also perform shows in the summer months. I gained many friends and also enjoyed meeting people of different generations and having a range of people to look to for help and support.

In the summer of 1986, I played Dorothy in the Society’s production of The Wizard of Oz and had the opportunity to work with a great cast and Bobbie Greatorex as producer. This sealed my desire to make it to the principal cast of the pantomime. In the following year’s production of Dick Whittington, I worked even harder. Attending Knottingley High, I had the ambition to enter the entertainment industry, but when I started at NEW College, I realised this was little more than a pipe dream and I should focus on enjoying my time on the amateur stage.

Barbara Arundell had taken on the role of pantomime producer for the 1984 production and she had a real belief in the importance of pantomime. She recognised that it was often a child’s introduction to the theatre, and that whilst it is full of corny jokes and cheesy humour, there are still important creative, performance elements to be explored. She took the craft very seriously and working with her was a great opportunity – I was thrilled to be asked to play Snow White in the January 1988 pantomime and started rehearsals aged 16, desperate for this to be a great show.

What we didn’t know was that the Town Hall had also been booked by a professional company, who were planning to perform Snow White and the Seven Dwarfs just a few weeks earlier than us. Having been the only panto performed at the Town Hall, our regular audience were buying tickets for the professional production thinking it was us. We were so worried that we’d lose all our audience and not make enough money to continue in future years. Playing the character Snow White, I was out every weekend in costume to promote our show. The story was picked up by the national papers and to my absolute delight was featured in The Stage newspaper. It worked out well as the Pontefract community got behind us and the show was a huge success. Years later I looked up Lindsey Dawson, who’d played Snow White in the professional production. Turns out she has subsequently been in Shameless and Waterloo Road, whilst my acting career has largely stayed on the stages of Town Halls in the former West Riding.

I went on to perform in many pantomimes produced by Barbara Arundell and loved working with her and all her talented Production Team, including Musical Director, David Hookham and Wardrobe Mistress, Jill Fieldhouse. As well as performing in the Society since 1982, I was the Society’s Secretary for 23 years and was awarded Honorary Life Membership in January 2015, having been nominated by the Society’s longest standing member, Kebir Berry MBE.

Following the sad death of Barbara in 2011, Wendy Underwood, stepped into the role and I continued to be both secretary and performer.

The Society is a popular hobby for families – my little sister, Katy, joined the year after me and stayed for many years until she left the area for university and then work, but she returned to help backstage and front of house. We’ve got lots of children who can boast having been on stage not just with their parents, but with their grandparents as well. This year we have a five year old Sunbeam who is the fourth generation of her family to join the Society.

Over 20 years ago when Ian (now my husband) came to watch the panto, he soon realised what a big part of my life the Society was so he took the very brave step to join and has been part of the Men’s Chorus ever since. Our daughter was born in 2003 and it was always understood that she’d join the Society too – we loved being involved together. Not just being on stage, but the rehearsal process, the social events and the many fabulous people we have met as members.

In January 2017 I produced my first pantomime for the Society – Sleeping Beauty. Whilst my first love will always be performing, I do enjoy bringing the show together. I try to combine my role of Producer/Director with parts in the pantomime wherever possible and I particularly enjoyed playing Queen Rat with my three Little Ratlings.

I have a passion for giving young people the chance to perform; through my work with the Society, I am now the Regional Youth Co-ordinator for the National Operatic and Dramatic Association.

For the 2019 production of Ali Baba and the Forty Thieves, which marked 70 years of the Society, the show began with an opening featuring 70 performers wearing costumes from our extensive wardrobe. I got to wear the Aladdin costume I had so admired in my first production in 1983.

Covid was a challenging time for the Society and we worked hard to offer online activities because for two years it wasn’t viable to put on a pantomime. We had quiz nights and sing-a-longs. We rehearsed and recorded short films and even a selfie-pantomime – all done ‘in isolation’. It certainly made us value the opportunities once we were allowed back on stage. I celebrated a big birthday during the pandemic and our Musical Director, David wrote an audience participation number for me as a birthday gift. Prior to lockdown, I’d seen a panto that featured the same audience participation song year on year, so David wrote Ponte Pantomime for me. After two years of pantos featuring the song, it seems to be going down well!

The Society is an important part of the community and we try to participate in as many local events as possible such as the Pontefract Liquorice Festival, Wheelfest and Light Up Pontefract. We have many people who come year after year to see us and we are so grateful for the support of people from Pontefract and the surrounding area. For those involved with the Society, it’s not just performing opportunities we offer, but there are a range of off-stage roles where people can get involved such as stage crew, making costumes, working front of house, chaperones for the children – the list is huge. There are probably double the people working off stage helping to make the production happen.

Oh, Yes It Is! 75 years of the St Giles with St Mary’s Pantomime Society

Find out what goes into putting on a spectacular performance. Enjoy the sparkle of costumes and props from memorable past productions. Watch star performers and be inspired to step on stage yourself!

Find out more
Pantomime

I find being on stage wonderful and I’m also involved in other local amateur theatre societies. It’s a fabulous feeling of togetherness and teamwork as everyone works to put on a show. There are lots of transferable skills that can be developed in amateur theatre, and I know it has greatly enhanced my life.

Working with Pontefract Museum on our new exhibition, Oh Yes It Is! has been a great experience. Kebir Berry sadly passed away in 2023 but had maintained an excellent archive, which has formed the basis of the exhibition. I really hope that people from Pontefract and wider afield will enjoy looking at the displays and that it will remind them of great experiences at pantomimes. Who knows – it may encourage people to come and see our next production and maybe think about performing too.

I am hugely grateful for the years of fun and friendship the Society has given me and I am looking forward to many future productions with my lovely panto family.